About

In Photography

Phelan, Peggy. “Developing the negative: Mapplethorpe, Schor, and Sherman” in Unmarked: The Politics of Performance

Gaines, Malik. “Nina Simone’s Quadruple Consciousness,” in Black Performance on the Outskirts of the Left (2017)

Lax, Thomas J. “Modern Problems”

Isreal, Nico. “Yto Barrada: Border Crossing,” Artforum (October 2006)

Stahel, Urs. “Yto Barrada: Fragments of a Language of Orientation,” Parkett (2012)

Buren, Daniel. “Beware! (1969-70)”

Jasper, Adam and Siannae Ngai. “Our Aesthetic Categories: An Interview with Sianne Ngai,” Cabinet (2011)

Ahmed, Sarah. “Institutional Life,” in On Being Included: Racism and Diversity in Institutional Life (2012)

Colomina, Beatriz._”Interior,” in Privacy and Publicity: Modern Architecture as Mass Media (1994) 

Deren, Maya. An_Anagram of_Ideas on_Art_Form_and_Film (1946)

Moten, Fred. “Zoe Leonard: Photopos -– film, book, archive, music, sculpture” (2018)

Batchen, Geoffrey. Each_Wild_Idea:_Writing_Photography History,_2002

Wölfflin, Heinrich, How One Should Photogrpah Sculpture. Translated by Geraldine A. Johnson (2013)

Introduction from Ahmed, Sara — The Promise of Happiness

Dean, Aria. “Poor Meme, Rich Meme,” Real Life (2016)

judd-so

Liz-Deschenes_In-My-Mind

MARK GODFREY_PHOTOGRAPHY AND SCULPTURE

paul chan what is art

Velasco, David. “Adrian Piper: Reveries of a Solitary Dancer,” Artforum (2018)

sianne-ngai-our-aesthetic-categories-zany-cute-interesting-1

Steyerl_The Institution of Critique

The Architectural Uncanny

Adolphe_AppiaDestruction of Time and Space

GALLOWAY_Alexander_Interface Effect

BLUISH_AnneCarson

PIM_HP_32_essay

Allegorical Impulse Owens p1

Allegorical Impulse Owens p2

Sharing and Liking Photos, NYTimes 

The Society of the Spectacle, Guy DeBord

The Practice of Everyday Life, Michel de Certeau

Young Incorporated Artists, Brian Droitcour, Art In America

Fire in the Belly: The Life and Times of David Wojnarowicz, Cynthia Carr

On Photography, Susan Sontag

The Original Copy, Roxana Marcoci

The Photographic Conditions of Surrealism, Rosalind Krauss

Anni  Albers

Potentialities, Giorgio Agamben 

The Absence of Myth, Georges Bataille

Gaston_Bachelard

Standing Figures, Aaron Curry & Thomas Houseago

The Photographic Activity of Postmodernism,Douglas Crimp

Remembering and Forgetting Conceptual Art, Charlotte Cotton

Sarah Charlesworth & Sara VanDerBeek

From Sculpture in Photography to Photography as Plastic Art, Tobia Bezzola

An Almost Unlimited Variety: Photography & Sculpture in the 19th Century, Geoffrey Batchen 

Martha Rosler, Art Monthly

The Canon After the Internet, Aperture

There is No One Thing Called Photography, Matthew Witkovsky

Processes & Resources